Thicker Than Water

’

‘My part?’ I couldn’t make my brain work, and I couldn’t figure out what her game was - the way she was playing this. But my hopes of Kenny coming round and explaining how all this was just some amusing mistake had just gone up the Swanee. ‘Basquiat, for the love of Christ!’ I said, almost pleading because I really felt like I needed not to be arrested right now. ‘I didn’t kill Kenny. You know I didn’t. You’ve got two other men’s prints on the fucking razor.’

‘But the razor wasn’t the murder weapon,’ she reminded me grimly, her face still almost shoved into mine. ‘The last blow - the one that counted - was struck with a short knife, none too sharp, that we haven’t been able to retrieve yet. What’s the fascination with the Salisbury Estate, Castor? Why do you keep going back there, if it’s not to get paid or cover your tracks or coach someone down there through their story?’

‘I was checking the place out,’ I persisted doggedly, ‘because Kenny’s message—’

‘And you called in some back-up of your own, didn’t you? I almost forgot that part. But you were smart there, at least. Kept it in the family.’

‘In the family?’ I echoed, missing her point for a moment. Then I realised what she was talking about and felt sour anger flare in my stomach like a progress report from a perforated ulcer. ‘Yeah, right. Of course. I teamed up with my brother, who’s a fucking priest, and we carved Kenny up because he stole our football back when I was ten. Basquiat, Matt wasn’t even with me when I went to the S‹I wr, alisbury. He was there by himself, under orders from another priest named Thomas Gwillam. If you want to know more, look him up in the Yellow Pages under rabid religious conspiracies.’

‘The two of you were seen at the Salisbury together.’

‘Because we were both there for the same reason, I suppose. I mean, because of what happened to Kenny. But we didn’t arrive together and we didn’t . . .’ I faltered for a second, lost my thread, because I was listening to my own words and I could see, very abruptly, how little sense they made. Everything was tied together. It had to be. But maybe I was wrong in putting Kenny at the centre of it. When I first saw Gwillam on the walkway at the Salisbury, it was before any word of Kenny’s death could possibly have got out to him. And the first thing he’d done, as far as I could make out, was to knock on the Danielses’ door.

Incised wounds. Puncture wounds. Bic didn’t have either kind. And I suddenly realised that that might be the point.

Basquiat was still looking at me expectantly. ‘Didn’t what?’ she prompted.

‘Didn’t anything,’ I muttered. ‘We ran into each other, we talked, and then we went our separate ways.’

‘You ran into each other.’ Basquiat didn’t even need to inject any sarcasm this time: the words just hung there, limp and ailing in the unsympathetic air.

‘I didn’t call Matt to the Salisbury,’ I said."

"‘So he was there for reasons of his own.’

‘Obviously.’

‘Before Kenny Seddon was attacked, or after?’

‘Like I said, ask Gwillam. There’s a church-based group called the Anathemata Curialis—’

At this point the main door of the ward swung open and Charge Nurse Petra Ryall walked in, wheeling the meds trolley. She immediately looked across at the little group by my bed, and her gaze lingered. Basquiat’s power dressing is multifunctional, but you couldn’t mistake Gary for anything but a cop.

‘Find Gwillam,’ I suggested again. ‘Ask him about all this. Matt is part of whatever he’s doing. You ought to be able to get chapter and verse on that from your two fucking sources—’

Basquiat stood up, so abruptly that I was taken by surprise and stopped in mid-curse. ‘I’ll do that,’ she said. ‘And in the meantime, I suggest you don’t leave town. Can you promise me that, Castor? Because if I have to come chasing after you, when I find you I’ll nail your balls to the table to make sure you stay where you’re put.’

I stared at her, mystified. The absence of handcuffs, verbal cautions and statutory phone calls caught me so far off balance that all I could think of to say was ‘What?’

‘Stay at your regular address,’ Coldwood interpreted. ‘Or check with us before you go anywhere. We’ll be in touch again soon.’

‘Ending interview at ten-sixteen a.m.,’ Basquiat said. She picked up the tape recorder, turned it off, and slipped it back into her pocket. ‘Very soon,’ she confirmed, and stalked away without even blowing me a kiss. She stopped and looked back, though, when she realised that Gary wasn’t following her. He was still loitering by the sunflowers.

‘I need a minute,’ he said.

‘Off the record?’ Basquiat’s tone was dangerous.

‘Off the record.’

‘No.’

‘How exactly are you going to stop me, Ruth?’

Her eyes narrowed. ‘By telling you no,’ she said.