Dead Men's s Boots

I’d been nearly certain it was there back when I was lane-hopping in Birmingham: certainly someone way back behind us had been zigging when we zigged and zagging when we zagged. But the press of traffic in the city and the need to keep my eyes on the road in an unfamiliar car had meant that I never got a decent look at it. Now I could see that it was a big dark grey van with an ugly matt-black bull-bar, the driver and any passengers invisible behind tinted windows.

It kept pace with us as we drove on south and west. It kept a long way back, but then it could afford to: there was no traffic besides the two of us, and the turn-offs were five miles apart.

Brokenshire is a town of twenty-eight thousand, situated in a valley close to a railhead serving a now-defunct copper mine. Literally and figuratively, it’s the end of the line. Where Birmingham mixed affluence and entropy in roughly equal measure, Brokenshire just looked as though it had quietly sailed past its sell-by date without anyone caring enough to mark the occasion. On the map a small creek runs through it, but there was no sign of it as we drove in towards the town square past post-war houses as small as egg boxes, many of them burnished with the variegated silver and red of half-rusted aluminium siding. I guess at some point in the town’s history the creek got covered over. Probably just as well: if we’d had to drive across running water, there would have been logistical problems for Juliet. In fact, in her current weakened state there was probably no way she could have done £ouls rit.

We parked up in the town square, in front of a prim granite courthouse like something out of Gone With the Wind, and got out to look around. The car got some looks, and so did we. Juliet’s mojo was slowly starting to come back, which meant that the unsubtle aura of sexual promise hung over her again like an invisible bridal gown. We ignored the hungry stares and did a slow, ambling tour of the downtown area that took us all of half an hour.

Unsurprisingly, maybe, Myriam Kale had been turned into something of a local industry. The town’s bookshop had turned its whole window display over to books about great American gangsters, with a – presumably secondhand – copy of Paul Sumner’s out-of-print biography as its centrepiece. It was the same edition as mine: maybe there’d only ever been the one. Beside it was a reproduced photo: the photo of Kale and Jackie Cerone in the nightclub, which Sumner had included in his book. It brought home to me how small a pool of facts and images about Kale was being recycled.

A sign in the bookshop window advertised maps of the Kale Walk, taking in the street on which her first married home still stood, her grade school out in nearby Gantts Quarry, the old Seaforth farm where she’d grown up. There was also a museum of local history, which turned out to be ninety per cent Kale to ten per cent prizewinning pigs. No insights there, either, though: just the familiar photos, the familiar truncated history.

‘I think we’re ready for something harder, don’t you?’ I said to Juliet.

‘Do you mean hard information, Castor,’ she asked mildly, scanning one of the photos with narrowed eyes, ‘or hard alcohol?’

‘Neither.’ I headed for the door. ‘It was just sexual banter. But the nice man at the desk says the offices of the Picayune are on the next block. And since we’re expected . . .’

In fact it was barely fifty yards to the modest two-storey brownstone building that bore the Picayune’s masthead in German black-letter type over the door. It looked like the kind of newspaper office that might have had a pre-teen Mark Twain as a copy boy. The bare lobby smelled of dust and very faintly of fish: that turned out to be because they had an office cat, lean and tabby, and I flinched in spite of myself – recent memories sparking inside my head – as it uncurled itself from a mat beside the open door that led through into the newsroom. It rubbed itself against my leg, refusing to take offence, then looked up at Juliet and let out a long, yawling cry. Juliet mewed back and the cat turned its tail and fled.

‘You talk to cats?’ I asked her.

‘Only when they talk to me,’ she answered shortly.

She let me lead the way into the newsroom. It was a tiny space with only two desks but lots and lots of shelves and filing cabinets. The shelves were full of box files, the desks were groaning with papers and I was willing to bet the filing cabinets were stuffed to bursting, too. The good news about the paperless office hadn’t penetrated as far as Brokenshire yet.

They had computers, though, and the only thing in the room that looked like a journalist was hammering away at one with a lot of superfluous violence. He was a heavy-set black guy in his shirt sleeves, with thinning salt-and-pepper hair. His face as he raised his head to look at us was as rucked up as a bulldog’s.